LET'S EXPLORE POLAND
Copyright 1995 by the AngloPol Corporation
This series will take us through the cities, towns,
villages and countryside of Poland,
as well as give us insights into the rich history and culture of the
nation.
Part 1
POLAND'S DIVERSE CULTURAL LANDSCAPE
This short stroll around the cultural map of Poland can only provide
the briefest of introductions to the rich diversity of Polish culture,
whose contemporary international calling cards are the music of
Krzysztof Penderecki and Witold Lutoslawski, the cinema of Andrzej Wajda,
Krzysztof Zanussi and Krzysztof Kieslowski, the theater of Tadeusz
Kantor, and the poetry and essays of Czeslaw Milosz, which have gained
broader renown since the latter won the Nobel Prize.
The Poland that awaits those with an interest in culture is as
multicolored as the rainbow: a Poland of museums and of festivals, of
folklore, music and theater.
Less than ten kilometers separates Sochaczew, a town which is not a
great tourist attraction, from the village of several dozen inhabitants
named Zelazowa Wola, which at first glance might seem no different from
all the other villages in the locality. Yet its name is known by
connoisseurs of music from Tokyo to San Francisco, from Stockholm to
Buenos Aires. Even residents of the antipodes sometimes travel here
specially just to listen to Chopin's polonaises and mazurkas in his
family manor, thus to appreciate the genius loci, to reach to the roots
of the universal genius of this music and thereby better to grasp its
secrets.
While the music lover might make his destination Zelazowa Wola, for
the enthusiast of Gothic sculpture it could be the Gothic altar by Wit
Stwosz in the Church of St. Mary's in Krakow, while someone seeking to
explore all the styles of 20th century painting might set out for the
Museum of Art in Lodz. This geographical list could be extended at great
length. However, the mosaic of Polish culture has so many different hues
and shades of color that a selection has to be made, although each
selection and each list chosen must of necessity be a subjective one,
random and controversial.
Nevertheless, there are certain areas of Poland's cultural map that
really require no selection--they select themselves. These constitute
cities which clearly stand out among the rest. Poland's capital of
Warsaw is undoubtedly one such city, with its numerous museums and
galleries, its dramatic theaters, opera and light opera, its National
Philharmonic and its film studio, its Congress Hall seating two and a
half thousand, and tens of smaller cultural institutions and
attractions. Rivaling Warsaw for cultural preeminence is Krakow. This is
not just a great center of historical buildings and museums, but also a
city of theaters, art galleries and other places as specifically unique
as the "Piwnica pod Baranami" [Sheep's Cellar] cabaret.
The next significant city in the country's cultural landscape,
Poznan, is sometimes dubbed "the musical capital of Poland".
It is only here, in the center of the Wielkopolska region, that we find
such musical attractions as two world-famous boys' choirs, together with
a Philharmonic, opera and music theater, the only Museum of Musical
Instruments in the country, and festivals of such importance as the
Poznan Musical Spring, the Festival of Polish Opera and Ballet, and the
Henryk Wieniawski International Competition for violinists, composers
and flutists.
Wroclaw can also boast considerable cultural achievements. Settled
after the war in large measure by Poles from Lwow and other eastern
regions then incorporated into the Soviet Union (now forming part of the
Ukraine), the city assumed much of the cultural traditions that had
characterized prewar Polish Lwow. It has five dramatic theaters and a
famous pantomime theater, a philharmonic, opera and light opera, and a
feature film studio which, together with the studio in Lodz, exerts a
determining influence on the Polish cinema. The festivals held in
Wroclaw also enjoy wide recognition: the Festival of Old Masters and
Organ Music, the oratorio and cantata festival "Vratislavia Cantans",
and festivals of Polish contemporary music, Polish contemporary arts and
of student theater groups.
The Baltic Tri-City combination of Gdansk, Sopot and Gdynia also
plays a major role in Poland's cultural life. In addition to its
historical buildings, Gdansk is famed not only for its splendid museums,
theaters, light opera, philharmonic and concerts on the renowned organ
of Oliwa Cathedral, but also for the artistic vibrancy of its student
community. Sopot is above all the Forest Opera--the scene of large-scale
popular music events broadcast on television to many other countries of
Europe; while Gdynia has its Music Theater, the first in Poland to stage
the rock opera "Jesus Christ Superstar," complementing its
production of "Fiddler on the Roof," one that has enjoyed
unflagging popularity for years.
However, in traveling about Poland, it is also worth visiting smaller
towns, frequently remote from the great centers of culture,
which--thanks to the initiative shown by a group of devotees, sometimes
even of individuals--have been supplementing the country's cultural
activities in interesting ways. One example here is the town of Agow,
picturesquely situated between two lakes, whose medieval castle is the
annual host of the Lubusz Film Summer, while another, a production of
Mozart at the Warsaw Chamber Opera is Bytow, a town that cultivates the
traditions of Kashubian folklore. A similar role is played by
Golub-Dobrzyri, the seat of an old bishopric, which received its town
charter back in the 13th century, but which decreased in size and fell
into neglect after World War II, becoming almost totally forgotten. The
town's appeal to tourists rose once again, however, following the
restoration of the Gothic-cum-Renaissance castle of the Polish and
Swedish princess Anna Vasa, subsequently converted into a hotel. This
has become the scene of interesting and frequent events, such as the
Orators' Competition for Tourist Guides, the annual Medieval Tournament,
crossbow competitions, and fox chases on horseback for the St. Hubert
Trophy.
Alternatively, we can look at the map of Poland from a different
angle, pinpointing the most Important cultural events rather than
particular towns or cities. The annual musical calendar is rich and
varied. Both the Karol Szymanowski Music Festival, held in Zakopane in
July, and the "Warsaw Autumn" Festival of Contemporary Music,
held in September, are internationally renowned and attract artists of
international repute. On the other hand, events of a more local
character include the Paderewski Music Encounters, which take place from
the end of June to August at Kasna Dolna in Tarnow, or the Autumn
Camerata at the turn of September and October in Kalisz, presenting the
works of Slavic composers.
Popular music events comprise both well-known ones such as "Jazz
on the River Oder," held at the beginning of May in Wroclaw, or the
Polish Song Festival in Opole in June, and ones that have yet to obtain
broader recognition, such as "Jazz on the Eastern Border"
organized at the end of May in Zamosc, or July's Festival of French Song
in Lublin.
All the festivals and events mentioned here represent solely a tiny
fraction of the great wealth of events that take place in Poland's
cities, towns and villages. At the same time, they constitute a form of
encouragement to take a good look at the calendar of events issued by
the Ministry of Culture and the Arts, which provides practical
information on what will be happening when and where. However, one
reservation is necessary here. The reduction or removal of subsidies to
culture is forcing those who organize these events to seek new sponsors
or gather the necessary funds themselves. Unfortunately, this does not
always prove possible. As a result, it is not certain whether all of the
events listed in the calendar--even those with long traditions--will in
fact be continued.
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